Spirituality

Most of the commentary on Pope Francis's encyclical Laudato Si' has focused on the issue of global warming and the Pope's alignment with this or that political perspective, but this is to miss the forest for one very particular tree.

Father Robert
Barron

In 1986, after serving in a variety of capacities in the Jesuit province of Argentina, Jorge Mario Bergoglio commenced doctoral studies in Germany. The focus of his research was the great twentieth century theologian and cultural critic Romano Guardini, who had been a key influence on, among many others, Karl Rahner, Henri de Lubac, and Joseph Ratzinger. As things turned out, Bergoglio never finished his doctoral degree (he probably started too late in life), but his immersion in the writings of Guardini decisively shaped his thinking. Most of the commentary on Pope Francis's encyclical Laudato Si' has focused on the issue of global warming and the Pope's alignment with this or that political perspective, but this is to miss the forest for one very particular tree. As I read through the document, I saw, on practically every page, the influence of Romano Guardini and his distinctive take on modernity.

To get a handle on Guardini's worldview, one should start with a series of essays that he wrote in the 1920's, gathered into book form as Letters from Lake Como. Like many Germans (despite his very Italian name, Guardini was culturally German), he loved to vacation in Italy, and he took particular delight in the lake region around Milan. He was enchanted, of course, by the physical beauty of the area, but what intrigued him above all was the manner in which human beings, through their architecture and craftsmanship, interacted non-invasively and respectfully with nature. When he first came to the region, he noticed, for example, how the homes along Lake Como imitated the lines and rhythms of the landscape and how the boats that plied the lake did so in response to the swelling and falling of the waves. But by the 1920's, he had begun to notice a change. The homes being built were not only larger, but more "aggressive," indifferent to the surrounding environment, no longer accommodating themselves to the natural setting. And the motor-driven boats on the lake were no longer moving in rhythm with the waves, but rather cutting through them indifferently.

In these unhappy changes, Guardini noted the emergence of a distinctively modern sensibility. He meant that the attitudes first articulated by Francis Bacon in the sixteenth century and Rene Descartes in the seventeenth were coming to dominate the mentality of twentieth-century men and women. Consciously departing from Aristotle, who had said that knowledge is a modality of contemplation, Bacon opined that knowledge is power, more precisely power to control the natural environment. This is why he infamously insisted that the scientist's task is to put nature "on the rack" so that she might give up her secrets. Just a few decades later, Descartes told the intellectuals of Europe to stop fussing over theological matters and philosophical abstractions and to get about the business of "mastering" nature. To be sure, this shift in consciousness gave rise to the modern sciences and their attendant technologies, but it also, Guardini worried, led to a deep alienation between humanity and nature. The typically modern subject became aggressive and self-absorbed, and the natural world simply something for him to manipulate for his own purposes.

If you want to see an English version of Guardini's perspective, I would recommend a careful reading of C.S. Lewis, J.R.R. Tolkien, and their Inklings colleagues on the relation between capitalist, technocratic humanity and an increasingly aggressed nature. If you want vivid images for this, turn to the pages in The Lord of the Rings dealing with the battle between Saruman and the Ents or to the section of The Lion, the Witch, and the Wardrobe detailing the permanent winter into which Narnia had fallen.

It is only against this Guardinian background that we can properly read the Pope's latest encyclical. Whatever his views on global warming, they are situated within the far greater context of a theology of nature that stands athwart the typically modern point of view. That the earth has become "piled with filth," that pollution adversely affects the health of millions of the poor, that we live in a "throwaway" culture, that the unborn are treated with indifference, that huge populations have little access to clean drinking water, that thousands of animal species are permitted to fall into extinction, and yes even that we live in housing that bears no organic relation to the natural environment--all of it flows from the alienated Cartesian subject going about his work of mastering nature. In the spirit of the author of the book of Genesis, the Biblical prophets, Irenaeus, Thomas Aquinas, Francis of Assisi--indeed of any great pre-modern figure--Pope Francis wants to recover a properly cosmological sensibility, whereby the human being and her projects are in vibrant, integrated relation with the world that surrounds her.

What strikes the Pope as self-evident is that the nature we have attempted to dominate, for the past several centuries, has now turned on us, like Frankenstein's monster. As he put it in a recent press conference, "God always forgives; human beings sometimes forgive; but when nature is mistreated, she never forgives." These lessons, which he learned many years ago from Romano Guardini, are still worthy of careful attention today.

- Bishop Robert Barron is the founder of the global ministry, Word on Fire, and is an Auxiliary Bishop in the Archdiocese of Los Angeles.

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